Sunday, 23 December 2018

Sir Edric and the Festive Discount

Hey, everyone.

It’s that magical time of year when everybody has something to feel happy about. Yes, I’m putting some books on sale.

From 23 December to 6 January, all three of Sir Edric’s published books are reduced to just 99p each.

Amidst the faff and brain-wracking to buy presents for others, you can get yourselves all three excellent comedies for under £3 (less than the usual price of a single volume). Ideal for fans of classic British comedy, with lashings of wit amidst battling monsters and drunken shenanigans.

“Spewed Coffee on the Screen I Laughed so Hard” - Jo Michaels, Amazon.com review of The Adventures of Sir Edric

“...this book is ideal for both fantasy fans and booklovers in general looking who are looking for something different...” - The Tattooed Book Geek, Amazon.co.uk review of The Adventures of Sir Edric


A tiny selection of spoiler-free one-liners:
Adventures:
Very exciting. Not unlike having a scorpion dropped into your trousers.

Kingdom:
How are you feeling, sir?”
Depressingly sober. And my leg’s burning like a phoenix with chlamydia.”

Plague:
I don’t wish to alarm you, sir, but you appear to be dripping amniotic fluid,” Dog said.

You really should buy them. Santa would approve.

The Adventures of Sir Edric


Sir Edric’s Kingdom


Sir Edric and the Plague

Thaddeus

Friday, 21 December 2018

TA Frost interview


Today I’m interviewing TA Frost about his forthcoming dark fantasy novel Up To The Throne, which came out on the 18th December.

Q: First things first: is it a stand-alone novel, or the first part in a series?

A: Up To The Throne is a stand-alone novel, but there will be two sequels, which will involve the same characters in further adventures. They'll also introduce the setting: I've got plans for a much longer set of related novels, but that's a very long-term objective at the moment.


Q: What’s the premise of Up To The Throne?

A: Several years ago, a petty criminal was left to die when a crime lord wiped out the stable of thieves of which she was a part. She was little more than a witness to be silenced - but she survived, and has returned to her home city to take her revenge. However, things have changed since she fled, and the man who ordered her death is now a respected member of society, whose killing will leave the city vulnerable to some very bad people indeed. Giulia, our heroine, must decide whether to take her revenge, even if doing so may bring the city down.


Q: Up To The Throne’s protagonist is Giulia Degarno. What can you tell us about her? What’s her background and aspirations?

A: Giulia is something of a renegade: once a pickpocket, she now fits into that grey area between enforcing the law and breaking it - and has considerable experience concerning theft. She's bitter and vengeful, but also intelligent, loyal and very skilled - not the best person in her world, but not the worst by a very long way. A useful person to know, and a bad one to cross!


Q: The blurb describes the story as taking place in a Renaissance city. Is it historical fiction, or a Renaissance-style city in a mythical world?

A: The setting of Up To The Throne is to the Renaissance what a lot of classic fantasy is to Medieval Europe: a magical, slightly condensed version of the present. Giulia's world has a lot of parallels with our own, but with one main difference: magic. Magic not just in terms of wizardry, but in enchantments that enable all sorts of bizarre contraptions to work, and in the magical creatures who occupy a perilous but important position in society.


Q: Again going by the blurb, it sounds strongly Italian (and perhaps Roman) influenced: what sort of technology is used? Do we have gunpowder, or are crossbows de rigueur? Is magic present in this world and, if so, how does it work?

A: We do have gunpowder, although (as with the real world back then) it's imperfect, expensive and not very reliable. There is magic, but this is a fairly low-magic setting, in that there are not many wizards who can throw fireballs around (probably fortunately, what with the gunpowder!). Magic is more often encountered in subtle forms, such as alchemy and enchantments. Timber soaked in the right alchemical reagents, for instance, is ideal for making flying machines...


Q: Recent years have seen some cracking grimdark books released, although the squeamish find them a bit much. How much sex and violence can we expect to enjoy in your new dark fantasy book?

A: The sex and violence is really hard to answer. It's not actually incredibly graphic, but there definitely is some violence. More interesting to me is a sense of murkiness and danger, like a film noir. One of my big non-SFF influences is Raymond Chandler, and while his books aren't wall-to-wall gore, there's a real feeling of corruption, intrigue and menace. So I don't mind if people want to describe Up To The Throne as grimdark, but I don't think it revels in carnage. Maybe a 15 rather than 18 rating?


Q: What sources, whether historical or fictional, helped inspire the setting and/or characters? Are there hints of Machiavelli and Borgia?

A: There were loads of inspirations! Definitely history, and the Borgias, Medicis and so on would certainly feature highly. You can find some fascinating bits and pieces in history that help you go beyond the stereotypes. Also, I looked at a lot of paintings from that time, which help to focus my mind on the setting. But I was also influenced by crime novels and other fantasy: the inspiration for Giulia came from a picture in an old D&D manual!


Q: Obviously, people know you (as Toby Frost) from writing the adventures of Space Captain Smith. Although you’ve written several entries in that sci-fi comedy series, this is your first foray into both ‘serious’ fantasy and self-publishing. What different challenges have those two things presented?

A: Writing fantasy and books without jokes doesn't feel like that much of a worry - in a way, it's quite nice not to have to be funny. There's the same sense of building a world that I've had with the Smith books, and populating it with interesting stories and strange people. Self-publishing is a bit scary, though: there's this real fear that, after all the hard work, your book just vanishes into the ether. And, of course, you've not got the support network that you usually have. So it's quite daunting, to be honest! In a way I'm seeing it as an experiment, but Up To The Throne is a story I've wanted to tell for a long time, and it's good to be able to tell it.


Q: After Up To The Throne is released, what are you immediate plans for writing and publishing? More dark fantasy, a return to comedy, or a bit of both?

A: As for what happens next, there's loads of ways it could go. I'd like to return to Space Captain Smith's world, perhaps to write something at a bit of a tangent. But I've also got plans for more fantasy, and I'm working on a sequel to Up To The Throne right now. So there's a lot of potential - the difficult bit is in making it work!


Thanks to TA Frost for the interview, and if you want to buy the book or learn more, check out these links:

Thaddeus

Thursday, 13 December 2018

Review: The Epic of Gilgamesh


The version I got was the Penguin Classics edition, translated by Andrew George.

This story is one of the oldest still extant, with the earliest versions pre-dating the great pyramids of Egypt. How well has it aged? Is it interesting?

The story of the epic revolves, unsurprisingly, around Gilgamesh, the king of Uruk who also happens to be a demi-god. He’s a bit of a pain in the arse until the arrival of his new best friend Enkidu, sent by the gods (essentially to stop Gilgamesh being a dick). They’re inseparable and have adventures together. But the heart of the story is about Gilgamesh’s fear of death. He travels the world seeking the only immortal man, trying to find the secret to eternal life.

That fear of death, and the sorrow of grief, is what makes the Epic of Gilgamesh resonate so well through the millennia since the story was first conceived and marked down on tablets. It’s rather fitting that perhaps our oldest story is about something that still vexes us today.

Naturally, the writing style is, ahem, old-fashioned but there’s a handy little preamble to each tablet translation outlining what happens, so you shouldn’t get lost.

In addition to the twelve tablets covering the Epic there are a number of others. Some of these are variants (occasionally inserted to fill gaps in the Epic, which is mostly taken from a single set of tablets), and some are additional stories about Gilgamesh (also known as Bilgames). Almost all have some consideration of death.

There are frequent gaps. Often these are small and can be filled easily with educated guesswork, but sometimes, especially in the additional stories, they’re pretty substantial.

On the whole, I enjoyed the Epic quite a lot, and the different stories were entertaining too. The variant tablets were less to my taste, though it is interesting to see the differing versions.

Thaddeus

Monday, 26 November 2018

Why moving to digital only is a Bad Thing: part 2 – Money

In part 1, I outlined my fears about a potential drive to abandon physical videogames and looked at the ways in which this will be bad for gamers (essentially, loss of control, higher prices, and the destruction of the second hand market).

But the intoxication with New Things and technological possibilities also means that some people want to abolish physical money altogether. And that’s far more concerning.

Why does that matter? Why does it worry me? Is it just because I’m so old-fashioned I have a mechanical calculator that computes using cogs?

Well, I am an old-fashioned man. And that helps provide context for why money came about in the form it did, and why shifting entirely (I don’t oppose electronic money, I oppose it being the only form) into so-called digital is drunken madness.

First off, why did physical money evolve? In the earliest days, wealth was essentially cattle. But imagine going to the shops with fifty oxen because you wanted some dresses. It’s not exactly convenient. Gold, however, is pretty, lasts effectively forever, and scarce enough small quantities are very valuable. Gold, silver, and electrum (a silver-gold alloy) coins soon came into being in Lydia, home of the fabled Croesus. They were easy to move, and if you’re selling wedding dresses it’s a lot easier to slip some coins into a pouch than to store fifty oxen in your pants.

The Chinese first brought about paper money, and a few centuries ago cheques (akin to paper money) came into being.

It was about the convenience of carrying, storing and transferring wealth, and shifted the concept of wealth from sheer physical property (oxen etc) to a more nebulous concept. However, the move to online only is a step away from control as far as wealth goes.

There was a report in the UK a year or two ago from some chap who had an interesting idea of a third employment category between employed and self-employed to cover the gig economy, and an idiotic idea about abandoning real money altogether and shifting purely to electronic.

If you get hacked or your bank goes down, it’s a pain in the arse. If you get that problem when physical money doesn’t exist, how are you going to pay for little luxuries, like catching a bus/train to work, paying for petrol or food? You can’t spend twenty pound notes when paper money isn’t legal tender any more.

Then there’s the control aspect again. Every time you spend, it’ll be logged. The time and location will be known. Perhaps more importantly, tax can be automatically deducted at source (this would be VAT [sales tax] in the UK). But the individual and the state aren’t the only players. Spending money this way requires a third party, perhaps a bank or an online cash-handling firm. They’ll take a slice. Maybe 0.5%. Maybe 2%. After all, they need to make enough to keep in business. If all their prices go up, what’s your option? You can’t go to cash because it doesn’t exist any more.

As mentioned to me on Chrons by Vladd67, this article is well worth a look. It’s about what’s happening in Sweden right now: https://www.techspot.com/news/77555-cash-has-almost-gone-extinct-sweden.html
Digital currency is far more profitable for banks, as they get to profit from the fees attached to debit cards, credit cards and Sweden’s bank-developed payment app, Swish.”

Sweden is also at the forefront of exciting new digital payment technologies, including microchips that have been implanted into 4000 peoples’ hands, enabling them to pay via high-five.”

Maybe you consider that ‘exciting’. I think it’s a dystopian nightmare.

Abolishing cash is a demented idea. People are sometimes so focused on what’s technologically possible they fail to consider the negative implications. Just because you could do something doesn’t mean you should do something, to paraphrase Jeff Goldblum.

Digital ‘goods’ and money are sold on convenience, but the cost is higher prices and loss of control. Don’t fall for the glib promises of a brave new world. It’s all about sucking the money out of your wallet, then burning your wallet so in the future you don’t even know how much they’ve gouged.

Thaddeus